Attention! Studio class has moved to room 135, Music Building. Still at 2:30 on Fridays.

Notes:

The third Premieres concert of the semester will be December 7. We would like to work on doing something special with this particular concert to bring in a larger and more diverse audience. Some suggestions:

  • Use special media, collaborating with artists from Art, Theater, or Comm. Arts departments.
  • “24-hour concert” of pieces created in only 24 hours.
  • Writing for a specific ensemble or instrumental studio.
  • Repeating the concert at another venue:
    • RCAH Auditorium
    • SCENE Metrospace
    • Basement 414 in Lansing
  • Use a particular theme. Poetry and music? Dance?
  • Poetry
    • several pieces inspired by the same poem
    • performances of poems with music
    • improvised poems with improvised music

The most popular idea at the moment seems to be the poetry theme. We need to start planning some more specific pieces and collaborations. Let’s do that for the Dec. 7 concert. Phillip will be getting in contact with some slam poets to collaborate with on this concert. Perhaps we can do the film project in the spring?

Going around the room, introducing ourselves and discussing what we’re working on. (I’m not going to take all this down.)

The rest of this semester, we will, among other things, be inviting each member of the composition faculty back to discuss a particular work or current project of theirs. Dr. Lorenz has a premiere of a new work coming up soon for viola and orchestra based on the music of Victor Jara.

Composer Ricky Ian Gordon may be here sometime this semester or next. His visit will be sponsored and organized by the voice/opera department. There will be opportunities for private meetings/lessons. composer/songwriter Heather Maxwell will also be here at some point this semester.

We each signed up for a Monday this semester to post to the blog. Here it is:

Sept:

  • 20: Phillip Sink
  • 27: Jacob Halmich

Oct:

  • 4: Patrick Gullo
  • 11: Kendra Kestner
  • 18: Victor Marquez
  • 25: Matthew Karram

Nov:

  • 1: Seth Burk
  • 8: Tim Patterson
  • 15: Caleb Hugo
  • 22: Brittany Booth
  • 29: Nate Bliton

Dec:

  • 6: David MacDonald
  • 13: Sam Merciers
 

Welcome back! First studio class of the 2010-2011 academic year.

Dr. Sullivan just got back from a few weeks in Porto, Portugal, where he spent time at Casa da Música. Click that link and visit the site. The architecture of the hall is beautiful. They have several resident ensembles and conductors, as well as three resident composers. One of the three residencies is reserved for a composer under the age of 30. They don’t distinguish between “classical” and “experimental” music, and they are equally interested in jazz and popular music. The new music ensemble is called Remix.

The audience is large and diverse (in precisely the same way such audiences in the US aren’t). There are electronic music games for kids to use and play creatively. As Dr. Sullivan describes it, Casa da Música seems a lot like a community center that has a particularly creative focus. “It really is a center of cultural activity.” People of all ages and interests come together to see, hear, and create.

One of the discussion topics for studio classes this semester will be audience engagement and outreach in new music. New music concert attendance is “pathetic.” Fifteen years ago, Dr. Sullivan claims, he had as many as 80 people coming to new music concerts and participating in subsequent discussions. In contrast to this, participants in Porto were open to experimental creative projects.

How can we be more proactive about growing attendance and participation (and more importantly, engagement) in new music at MSU and in the Lansing area?

Victor Marquez-Barrios is this year’s composition area graduate assistant. Victor would like to find ways to improve the Premiers concerts this year. Not only improving the performances and presentation, but also improving the audience and the audiences general experience. Dates for the semester’s concerts are on the calendar (undergrad composers: Oct. 19, grad: Nov. 9, last concert: Dec. 7, all are at 7:30). Five weeks before the concert, let Victor know you’re interested. One week before, give the complete program info here. We have a third date in the book for December that we can talk about later.

Sam would like people to “Like” the MSU Composition Facebook fan page and for composers to invite their friends to “like” it as well. Dr. Sullivan wants people to feel more comfortable plugging their music and performances thereof. We all agree that advertising for performances must be as creative as the performances themselves.

SCENE&heard continues at (SCENE) Metrospace on Friday, 8 October at 7:30pm. The concert is about rhythm, and will feature music by Steve Reich and Louis Andriessen, as well as traditional music from Africa and the Middle East.

This semester we will create a blogging schedule to encourage traffic to this blog. We will also share research about music of the last ten years.

New show opening tonight at SCENE that includes a piece by Nate. Saturday night is an interesting concert/CD release at SCENE (doors at 7:00, music by 8:00, admission $5). Another cool concert at Mac’s Bar on Michigan Ave. starts around 9ish on Monday night.

 

I found out last week that I will be presenting a piece in a masterclass with John Corigliano on Saturday morning at 10am. I’ve been a bit anxious about it since then. Anyway, yesterday, the same day Corigliano arrived in our fair city, John Adams posted a funny and thoughtful essay about composition masterclasses on his blog.

If you’re an instrumentalist or a singer, such a class is a pretty straightforward affair. You play your Chopin etude or sing your Puccini aria, and some honored guest artist, after politely listening, heaps gobs of fulsome praise on you and then over the next twenty minutes ritually disembowels you before an audience of your peers and your embarrassed teacher. And the whole thing is captured on video so you can enjoy it over and over.

With composers it’s a slightly different kettle of fish…

…The piece is over and now it’s time for The Master (i.e. the guest disembowler) to say something meaningful. This is not as easy as you might think. You want to be helpful and not just make bland, encouraging comments like Mom and Dad. On the other hand you remember your own student days and recall how super super super sensitive you were. An unkind cut can be devastating…

Be sure to read the whole thing and click through all of his hyperlinks. You’ll be glad you did.

© 2012 Michigan State University Music Composition Suffusion theme by Sayontan Sinha